Umbanda (Portuguese pronunciation: [ũˈbɐ̃dɐ]) is a syncretic Afro-Brazilian religion that blends African traditions with Roman Catholicism, Spiritism, and Indigenous American beliefs. Although some of its beliefs and most of its practices existed in the late 19th century in almost all Brazil, it is assumed that Umbanda originated in Rio de Janeiro and surrounding areas in the early 20th century, mainly due to the work of a psychic (medium), Zélio Fernandino de Moraes, who practiced Umbanda among the poor Afro-Brazilians slave descendants. Since then, Umbanda has spread across mainly southern Brazil and neighboring countries like Argentina and Uruguay.
Umbanda has many branches, each one with a different set of beliefs and practices. Some common beliefs are the existence of a Supreme Creator known as Olodumare. Other common beliefs are the existence of deities called Orixás, most of them syncretized with Catholic saints that act as divine energy and forces of nature; spirits of deceased people that counsel and guide practitioners through troubles in the material world; psychics, or mediums, who have a natural ability that can be perfected to bring messages from the spiritual world of Orixás and the guiding spirits; reincarnation and spiritual evolution through many material lives (karmic law) and the practice of charity and social fraternity.
Umbanda practitioners believe in a supreme creator god; the use of a medium to contact the spirits of deceased people; reincarnation and spiritual evolution through many physical existences; and the practice of charity.
The opposite side of the Umbanda (white magic), i.e., black magic – the practices that intended to cause evil doings, became known as Quimbanda. Umbanda is juxtaposed with Quimbanda which now reclaims its identity as a separate religion and distinct from Umbanda.
One hundred years after its establishment, Umbanda divided itself into several branches with different beliefs, creeds, and practices. Some of these branches are Umbanda d'Angola, Umbanda Jejê, Umbanda Ketu, and Umbanda Esotérica.
The three major beliefs claimed by Umbandists are: The Pantheon, the Spirits' World, and the Reincarnation.
Umbanda has one supreme god known as Olorum (or Zambi in Umbanda d'Angola) and many divine intermediary deities called Orixás. Orixàs and spirits are organized in a complex hierarchy of legions, phalanges, sub-phalanges, guides, and protectors. The exact order of the hierarchy varies by region and practitioner, but a generally agreed upon structure are the Seven Lines, or Sete Linhas da Umbanda. The first line is the top, usually associated with Oxalà, and the bottom is always the Linha das Almas, or Line of Dead Souls. The other patrons associated with the lines are listed in 2-6 below. The lines are often divided up even further into a multitude of spiritual beings.
Main Orixás
1. Pure Spirits
This level includes the spirits known as the angels, archangels, cherubim, and seraphim, spirits that reached spiritual perfection.
2. Good Spirits
This level includes the spirits that possess mediums (psychics) or initiates during the Umbanda ceremonies and act as Guias (guides) advising and helping the believers.
These are the following spirits:
Caboclos (Indigenous Americans)
Those are spirits of deceased Indigenous Brazilians or Mestizos. They are highly knowledgeable about medical herbs, often prescribing inexpensive remedies to ill people. Their speech is always based in truth and courage, and are widely sought after in cases you need strength, and counsel. When a caboclo speaks, you listen. When the medium incorporates a Caboclo, he/she, begins to walk around heavily, and the feature becomes more severe. They frequently smoke cigars and drink a mix of herbs the mediums make.
Preto Velho (Old Black Man)
Those are spirits of old slaves who died enslaved. They are wise, peaceful, and kind spirits that know all about suffering, compassion, forgiveness, and hope. Some of them are considered to be the old Yoruba priests that were first brought to Brazil. They also often prescribe herbal remedies. The female counterpart of this spirit is the Preta Velha ("Old Black Woman") who demonstrates maternal compassion and concern.[3] In the beginning of Umbanda, Preto Velho introduced himself as an old slave who died after being flogged for some unjust accusation; today, Pretos Velhos introduce themselves as old slaves who died in persecution after they run away from the plantation. They are frequently the most loved entities in Umbanda and is very common to see a person consulting with the same preto velho year after year, and develop a love for them. When the medium incorporates a Preto Velho, he can not stand straight, has difficulty walking, and has to make consultations sitting down. They frequently drink coffee and smoke pipes.
Crianças/Erês (Children)
Those are spirits of great evolution, appearing as children, to reveal the pure side of life. They are not children who died at an early age. They speak of joy and hope. When they talk, they always intend to cheer you up and make you look at the bright side of things. They are generally characterized as being pure and joyful. Most people make the mistake that, since the medium (psychics) speaks funny, uses candies, lollypops, and ribbons in his head, that he is to be taken lightly. The Erês are evolved spirits who say very serious things, although in a funny way. When the medium incorporates an Erê, he laughs very much, dances, frequently appears with stuffed animals, and speaks with a child's voice. They frequently drink Guaraná and eat candy.
Baianos (People from Bahia State)
The spirits of people who were practitioners of Umbanda, also considered as the spirits of deceased ancestors. Since they are closest to our time (in comparison to the deceased slaves and the Indigenous Americans), they have a different manner in speaking. They are slow talking with the accent of Bahia. They talk about the need to know how to interpret and overcome the difficulties of life. They frequently drink coconut water, eat farofa, and smoke cigarettes.
Boiadeiros
The spirits of deceased gauchos who lived a hard life in the sertão, the arid hinterlands of Brazil. They speak of love, but are frequently harsh in their speech. They work in the spiritual cleaning of the person who is being attended, the medium, and the terreiro (the place where the Umbanda encounters, "gira" is held).
Marujos or Marinheiros (Sailors)
Spirits of deceased sailors or fishermen that use the power of the ocean to protect people from evil. The water (especially salty water) has its manner of protecting people, cleaning and cleansing. The Marinheiros work in the energy of Yemanjá. They are happy, funny, and easy going. When a Marinheiro talks, he sometimes appears to be drunk, but that's just his way. They can't stand straight and— frequently stumble as if they were in a ship, at high seas. They drink a lot of rum.
Zé Pilintra
He is widely reputed, as the patron spirit of the barrooms, gambling dens, and gutters (while not aligned with "evil" entities, however). The Zé Pilintra spirit is famed by its extreme bohemianism and wild partying persona, being a kind of trickster spirit.
Exu
Exu is a phalanx of spirits that are adjusted to Karma. Offerings are made in the Small Kalunga (cemetery) or at crossroads. The offerings are done only when required by the spirits, never intending to harm anyone. They never use black magic. They protect people while they are on the streets, roads, nightclubs, etc., and also protect them from evil spirits (called obsessing spirits which are spirits that weren't touched by the light yet and use people to feed their bad habits such as addictions to drugs or low emotional states like anger, rage, sadness, guilt, revenge, etc.) and help people opening paths full of learning and success. The female Exus are the Pomba Giras. Their action field is love, but under no circumstances will they perform black magic. Pomba Giras, like all Exus, undo black magic that exists in Quiumbanda.
3. Bad Spirits/Kiumbas
Some Umbanda believers avoid the spirits of this level, considered dark incarnations. Sometimes impure spirits can possess some psychics and cause many annoyances in a cult. So, priests and priestesses should know how to treat and send them to the correspondent evolved spiritual level which is connected to the Umbanda house, where they'll be cleansed by higher spirits, taught to find the light and evolve. So, the spirits of the city help during the process as much as the guides of the Umbanda psychics also help. The guides are responsible, in this case, for taking the darker spirits to the spiritual city and rebalancing the psychic.
Reincarnation
Reincarnation in Umbanda is different from in Hinduism. The Law of the Reincarnation is the central point of the Karmic Law. It states that Olodumare creates spirits with Self Will all the time. The spirits universally pass through many stages of evolution, in many planets. It also states that there are parallel dimensions in this world where the obsessive spirits are, since they can't evolve. They have the choice of being good or bad, through ordinary acts and the love that they display towards other people. When they "die", the good ones advance to a superior stage of spiritual evolution, in other planets. Those that do not succeed should reincarnate until learning what they were supposed to.[1]
Umbanda temples, priests and priestesses
Umbanda temples are autonomous organizations that focus around a leader, mediums (psychics who are able to intermediate communications between the physical and the spiritual worlds), initiates (people with psychic abilities who are being taught in the ways of Umbanda) and lay members.
During its first years, the Umbanda rituals were performed in poor suburban houses because the followers had no resources, and also to avoid police persecution, since not being catholic was cause for arrest. Most often, the leader's own house was used as a place for religious meetings. The rituals were performed in the backyard. Sometimes, a tent was pitched to protect the meeting from rain. Today, the Umbanda religious buildings are still called Terreiro (backyard) or Tenda (tent). When the religion flourished, buildings were specially constructed for ritual use.
Tendas or Terreiros usually look like ordinary houses when seen from the street. Some religious artifacts like African styled ceramic vases can be put on the walls or ceilings to give a touch of religious appearance to the house. A wood board with the name of the temple usually is placed over the main entrance. Larger Umbanda houses often are laid out in a fashion similar to a humble Catholic church. Even when the Tenda or Terreiro is specially built to be used in Umbanda rituals, a separated part is used as the home of the leader and his or her family. The areas for residence and rituals are close enough to be considered a single unit.
If a building is not available, rituals are still performed in a private backyard as well.
Generally the Terreiro – the actual room used for rituals – is a large area covered by a simple roof of ceramic singles, with an altar at the back.
Also, the Tendas or Terreiros is used directly or in a support capacity for charitable works to provide child care, medical clinics, assistance to orphanages, and distribution of medicines and/or food.
The Terreiros have as their main leader a priest or priestess called "pai-de-santo" ("father-of-saint", if he is a male, referred to as "bàbálóòrìsà") or "mãe-de-santo" ("mother-of-saint", if she is female, referred to as "yálóòrìsà").[citation needed] The initiates, men or women, are usually called "filhos-de-santo" ("children-of-saint", masculine plural form), to show the structure within the religion. This does not imply sainthood on the part of the priest or priestess, but responsibility for certain rituals related to each saint they serve, (also called Orixás), as well as the saints of the filhos-de-santo under his or her responsibility.
Umbanda developed with almost no sexual discrimination. The leader could be male or female, pai-de-santo or mãe-de-santo, and his or her prestige depends only on their psychic powers and the wisdom shown within their pieces of advice. Its main difference when compared to the Catholic Church is that in Umbanda, homosexuals face no prejudice, for Umbanda does not judge believers by sex, race or sexual orientation.
Each Umbanda Terreiro practices the same religion with variations, according to the policies of the pai-de-santo's or the mãe-de-santo's spiritual mentor, as well as in accordance with the teachings and philosophies of the various traditions within Umbanda. During these ceremonies, the priests, priestesses, and initiates wear white costumes and pay homage to the spirits and Orixás.
Rituals & ceremonies
One hundred years after its establishment, Umbanda is divided into several branches with different rituals and ceremonies. As the Terreiros de Umbanda are loosely united by the Umbanda federations, there is not a strong adherence to a single code of rite, ceremonies and creeds.
The Umbanda Branca, the original form created by Zélio de Moraes and his group, adopts the worship of Orixás but rejects the black witchcraft, the colorful costumes, and the animal sacrifices practiced in the Macumba and Quimbanda rituals.[4] The babalorixás (Pais-de-Santo) and the yalorixás (Mães-de-Santo) always wear white outfits during the ceremonies of the Umbanda Branca. On the other hand, Umbanda d'Angola and Umbanda Jejê are newer sects with a body of rituals, ceremonies and philosophies that equate themselves with other religions such as Candomblé, Jurema, and Catimbó. Another recent branch, called Umbanda Esotérica, is heavily influenced by Eastern philosophies. The older Terreiros de Umbanda, those established before 1940, have not integrated these new trends and still practice the original rites and ceremonies in a simpler way, specially dedicating themselves to charity works, as preached by Zélio de Moraes and his group.
The gira or "work"
Umbanda ceremonies are generally open to the public and may take place several times a week.[2] Atabaque (conga drums) and chanting play a central role in some Umbanda congregations, but are almost non-existent in others. The ceremonies may include offers to the spirits comprising fruits, wine, farofa, cachaça, popcorn, cigarettes, hard cider and other types of food or beverages. Each Orixá or spirit receives a proper offering, and initiation rites that range from the simple to complex.
During the ceremonies the priests and priestesses (pai-de-santo, mãe-de-santo, filhos-de-santo, initiates) and the public attending the meeting sing together, dance, drink beverages and smoke cigars under the spirit's influence. However, the use of such elements by these spirits aren't due to any addictions - they are used as sacred elements that help the spirits to nullify any negative energies surrounding the assisted person. The priests and priestesses are separated from the attending public, usually by a small fence. The priests, priestesses and some of the public gradually get immersed in the singing and dancing, and suddenly get possessed by deities and spirits, starting to act and speak with their personas. Those in the public attending who become possessed are recognized as owners of special psychic power and, usually, after the ceremony, are invited to become initiates in the Terreiro. Sometimes, an experienced pai-de-santo or mãe-de-santo can dance and sing all night without, for mysterious reasons, being possessed by deities or spirits.
There is also a rite leader called Ogã. His job is to organize the "gira" in a logistic way. He does not incorporate and he is respected by the entities who possess the medium.
Intervention by spiritual beings in followers' daily lives is a central belief, so participation in Umbanda rites is important to appease deities and spirits.[2]
Music and dancing are always present in the Umbanda rituals. The public sing together the "pontos", religious songs intended to improve the psychics' concentration level. These songs often are taught by the spirits themselves, and their lyrics tell about charity, faith, and the Orixás' deeds. The pontos should be sung or said in Portuguese for religious use. A ponto example is translated below:
Ponto de Mamãe Oxúm (Umbanda Song of Mommy Oxúm)
Water streams like crystal
Through Father Olorúm's feet
Father Olorúm created Nature
And made the Waterfalls
Which Xangô blessed
I am going to ask the permission of Oxalá
To bath in the waterfall
To clean all evil
Historical background
Zélio de Moraes
Umbanda originated in South America and developed in the Portuguese Empire. In the late-19th century, many Brazilian scholars criticized the African-Brazilian religions, claiming they were primitive and hindered modernization.[2] At the same time, Allan Kardec's Spiritism, a development of spiritualism creeds, was increasingly accepted by the Brazilian urban middle/upper-class with followers since 1865. Since that Spiritism came from Paris, with the upper classes, there was no integration with the lower classes.[4] The kardecists – followers of the Spiritism – were mainly middle-class people of European descent, many of them pursuing military and professional careers. They were deeply influenced by Auguste Comte's philosophy, Positivism, that aimed to join religion and science and to help the development of society to a higher level.
Beginning
On November 15, 1908, a group of kardecists met at a séance in the neighborhood of Neves, São Gonçalo city, near the Federal Capital, Rio de Janeiro. Among them was Zélio Fernandino de Moraes, a 17-year-old boy who was studying to join the Naval Academy and later became an officer. During the séance, Zélio de Moraes incorporated a spirit who identified himself as the Caboclo das Sete Encruzilhadas (Half-Indian Peasant of the Seven Crossroads). After that, Zélio de Moraes incorporated another spirit who identified himself as Pai Antônio (Father Anthony), a wise old slave that had died after being savagely flogged by his master.
First years and the development
The first Terreiro de Umbanda was founded by Zélio de Moraes in an uncertain date of the 1920s and named Centro Espírita Nossa Senhora da Piedade (Spiritism Center of Our Lady of Mercy). In 1940 Zélio de Moraes made a statute for this first Terreiro that was used as reference by the most of Terreiros that followed.
The Umbanda religion started in a time when the Brazilian society was passing through a strong transformation process. The predominance of agriculture in Brazilian economy was decreasing and the first steps of a late industrial revolution was expanding the working class.
The American anthropologist Diana Brown, that pioneered the studies of Umbanda in the 1960s, verified that the Umbanda founders were most middle-class people
The first Umbanda followers felt that the Macumba rituals were more stimulating and dramatic than the Spiritism séances, but they rejected the animal sacrifices and the incorporation of malevolent spirits, often called Kiumbas (Obsessing Spirits).
According to the anthropologist Diana Brown, Zélio de Moraes had just a symbolic participation in the creation of the Umbanda, acting like the speaker of a group that previously participated in Macumba cults. A collective effort was made by Zélio de Moraes and his group to promote the Umbanda Branca, developing practices acceptable by the middle class.[8]
Expansion during Vargas dictatorship
The first stage of the Umbanda expansion coincides with the social and political changes that occurred in the 1930s and with the dictatorship of Getúlio Vargas (1930—1945).
Getúlio Vargas became known as "pai dos pobres" (Father of the Poor) and, also, as "pai da Umbanda" (Father of the Umbanda) among the emergent urban and working class. Until 1966 many Umbanda Terreiros had a Getúlio Vargas picture in a place of honor.
Despite the identification with the objectives of the Getúlio Vargas Dictatorship, the Umbanda followers were persecuted. The police repression interrupted religious meetings, beat the psychics and followers and confiscated their instruments of Umbanda. An entire collection of icons, costumes, garbs, amulets, instruments, and objects of traditional religions confiscated by policemen is still kept in the Museu da Polícia (Museum of Police) in Rio de Janeiro city.
A notable victim of the police repression was Euclydes Barbosa (1909—88). He was a great soccer back player known by the nickname Jaú, that played with the Corinthians team from 1932 to 1937 and with the Brazil's National Team in 1938 World Cup in France. Jaú was also a pai-de-santo or babalorixá, priest of Umbanda, the founder of the Umbanda religion in São Paulo city and one of the first organizers in the 1950s of the Yemanjá feast in the São Paulo State beaches. Jaú was illegally imprisoned, beaten, tortured, and publicly humiliated by the police because of his religious activities. Some Umbanda leaders call him the great martyr of their religion.
Prime years after the Vargas dictatorship
In the latter half of the 20th century Umbanda grew rapidly among transformation of Candomblé that was first noticed in Bahia.
The independent Terreiros of Umbanda started to unite themselves in federations to strengthen its position against social discrimination and police repression. The first federation was founded by Zélio Fernandino in 1939.
The end of the Getúlio Vargas Dictatorship and the reestablishment of democracy in 1945 advanced the religion freedom environment. In 1953, two Umbanda federations were founded in São Paulo. However, the Umbanda cults were still looked with suspicion by the Police Departments that demanded a compulsory registration of the Terreiros. Only in 1964, this obligation was released and just a civil registration in a public notary is required.
The populist character of the politics in Brazil between 1945 (the end of Getúlio Vargas Dictatorship) and 1964 (the start of the Military Dictatorship) supported the expansion of Umbanda. Then politicians became usual attendants of the Terreiros, specially before the elections.
Research conducted by the anthropologists Lísias Nogueira Negrão and Maria Helena Concone revealed that in the 1940s in São Paulo, just 58 religious organizations were registered as Umbanda Terreiros, but 803 organizations declared themselves as Spiritism Centers. In the 1950s, positions inverted: 1,025 organizations declared themselves as Umbanda Terreiros, 845 as Spiritism Centers and only one Candomblé Terreiro. The apex was during the 1970s, with 7,627 Umbanda Terreiros, 856 Candomblé Terreiros and 202 Spiritism Centers.
The period from the 1950s to the 1970s was the prime of the Umbanda religion. Police repression decreased, the number of followers soared, but the Catholic Church opposition increased. An intense religious campaign against the Umbanda cults was conducted in the pulpits and the press. Umbanda received criticism from the Catholic Church, which disagreed with the worship of spirits and the comparison that many Umbandistas made between Catholic Saints and Orixás.[3] Despite the criticism, even today, many Umbanda members also claim to be devout Catholics as well.[3] After the Vatican Council II (1962–65), the Catholic Church sought an ecumenical or tolerant relation with traditional religions.
Opposition
In 1974 Umbanda practitioners (Including declared and undeclared) were estimated to be about 30 million in a population of 120 million Brazilians.
After the 1970s the Umbanda cults begun to be opposed by Pentecostals. Evangelical Pentecostal Churches have begun attempting to evangelize and, in some cases, persecute practitioners of Umbanda and other traditional religions.
Umbanda practitioners have taken cases to national courts and achieved a high measure of success. In 2005 the Superior Órgão de Umbanda do Estado de São Paulo (Superior Organization of Umbanda in São Paulo State) won a judicial case in the Federal Court against the television broadcasting systems Rede Record and Rede Mulher, that belong to the Igreja Universal do Reino de Deus, a Neo Pentecostal Church. The Public Attorney (Ministério Público) denounced television programs that treated the traditional religions in a derogatory and discriminating way.[4]
Today
In the 2000 Brazilian census, 432,000 Brazilians declared themselves Umbandistas, a 20% drop in relation to the 1991 census. Many people attend the Terreiros of Umbanda seeking counseling or healing, but they do not consider themselves Umbandistas.[4]
Despite all the troubles in the past or present, the Umbanda remains strong and renovated in Brazilian main cities like Rio de Janeiro (the greatest concentration of Umbandists) and São Paulo (the second greatest concentration of Umbandistas).[4] After the 1970s, Porto Alegre, the capital of Rio Grande do Sul, the southernmost Brazilian state, became the base of expansion of the Umbanda to Argentina and Uruguay. Today, Umbanda followers can be found in the United States of America as well.
The syncretic religious practice known as Santo Daime, founded in the 1930s by Raimundo Irineu Serra, has been incorporating elements of Umbanda in its rituals, especially in the line called “Umbandaime.” The use of ayahuasca is an important aspect of their ceremonies.
Notable Umbandists
Clara Nunes — Brazilian samba singer.
Vinícius de Moraes — Brazilian Poet.
Herivelto Martins — MPB singer and songwriter.
Bibliography
DaMatta, Roberto. Religion and Modernity:Three studies of Brazilian religiosity. Journal of Social History. Winter91, Vol. 25 Issue 2, pp. 389–406, 18p.
Sybille Pröschild: Das Heilige in der Umbanda. Geschichte, Merkmale und Anziehungskraft einer afro-brasilianischen Religion. Kontexte. Neue Beiträge zur historischen und systematischen Theologie, Band 39. Edition Ruprecht, Göttingen 2009. ISBN 978-3-7675-7126-6
Maik Sadzio: Gespräche mit den Orixás: Ethnopsychoanalyse in einem Umbanda Terreiro in Porto Alegre/Brasilien, Transkulturelle Edition München 2012. ISBN 978-3-8423-5509-5
References
Dann, Graham M.S. Religion and Cultural Identity: The Case of Umbanda. Sociological Analysis, Vol. 30, No.3, pp. 208–225.
Brown, Diana De G.; Mario Bick. Religion, Class, and Context: Continuities and Discontinuities in Brazilian Umbanda. American Ethnologist, Vol. 14, No. 1, Frontiers of Christian Evangelism. (Feb., 1987), pp. 73–93
Hale, Lindsay Lauren. Preto Velho: Resistance, Redemption, and Engendered Representations of Slavery in a Brazilian Possession-Trance Religion. American Ethnologist, Vol. 24, No. 2 (May, 1997), pp. 392–414.
Beraba, Marcelo. O Terreiro da Contradição. Folha de S.Paulo; March 30, 2008
Umbanda Ritual
Oliveira, J. Alves; Umbanda Cristã e Brasileira; 1985; apud Beraba
Brown, Diana; "Uma História da Umbanda no Rio", 1985; apud Beraba
Novo Preto Velho. Interview of Diana Brown in Folha de S.Paulo; March 30, 2008.
^ Troch, Lieve. Ecclesiogenesis: the patchwork of new religious communities in Brazil. Exchange 33, No. 1, 2004, pp. 54–72.
Umbanda has one supreme god known as Olorum (or Zambi in Umbanda d'Angola) and many divine intermediary deities called Orixás. Orixàs and spirits are organized in a complex hierarchy of legions, phalanges, sub-phalanges, guides, and protectors. The exact order of the hierarchy varies by region and practitioner, but a generally agreed upon structure are the Seven Lines, or Sete Linhas da Umbanda. The first line is the top, usually associated with Oxalà, and the bottom is always the Linha das Almas, or Line of Dead Souls. The other patrons associated with the lines are listed in 2-6 below. The lines are often divided up even further into a multitude of spiritual beings.
Main Orixás
- Oxalá (Syncretized as Jesus)
- Iemanjá (Syncretized mainly as Our Lady of Navigators)
- Xangô (Syncretized mainly as John the Baptist)
- Oxúm (Syncretized mainly as Our Lady of Aparecida)
- Ogúm (Syncretized as Saint George)
- Oxóssi (Syncretized mainly as Saint Sebastian)
- Ibeji (Syncretized as Saints Cosmas and Damian)
- Omulu/Obaluayê (Syncretized mainly as Lazarus of Bethany)
- Iansã (Syncretized as Saint Barbara)
- Nanã (Syncretized as Saint Anne)
- Oxumaré (Syncretized as Bartholomew the Apostle)
- Exu (Syncretized mainly as Anthony of Padua)
1. Pure Spirits
This level includes the spirits known as the angels, archangels, cherubim, and seraphim, spirits that reached spiritual perfection.
2. Good Spirits
This level includes the spirits that possess mediums (psychics) or initiates during the Umbanda ceremonies and act as Guias (guides) advising and helping the believers.
These are the following spirits:
Caboclos (Indigenous Americans)
Those are spirits of deceased Indigenous Brazilians or Mestizos. They are highly knowledgeable about medical herbs, often prescribing inexpensive remedies to ill people. Their speech is always based in truth and courage, and are widely sought after in cases you need strength, and counsel. When a caboclo speaks, you listen. When the medium incorporates a Caboclo, he/she, begins to walk around heavily, and the feature becomes more severe. They frequently smoke cigars and drink a mix of herbs the mediums make.
Preto Velho (Old Black Man)
Those are spirits of old slaves who died enslaved. They are wise, peaceful, and kind spirits that know all about suffering, compassion, forgiveness, and hope. Some of them are considered to be the old Yoruba priests that were first brought to Brazil. They also often prescribe herbal remedies. The female counterpart of this spirit is the Preta Velha ("Old Black Woman") who demonstrates maternal compassion and concern.[3] In the beginning of Umbanda, Preto Velho introduced himself as an old slave who died after being flogged for some unjust accusation; today, Pretos Velhos introduce themselves as old slaves who died in persecution after they run away from the plantation. They are frequently the most loved entities in Umbanda and is very common to see a person consulting with the same preto velho year after year, and develop a love for them. When the medium incorporates a Preto Velho, he can not stand straight, has difficulty walking, and has to make consultations sitting down. They frequently drink coffee and smoke pipes.
Crianças/Erês (Children)
Those are spirits of great evolution, appearing as children, to reveal the pure side of life. They are not children who died at an early age. They speak of joy and hope. When they talk, they always intend to cheer you up and make you look at the bright side of things. They are generally characterized as being pure and joyful. Most people make the mistake that, since the medium (psychics) speaks funny, uses candies, lollypops, and ribbons in his head, that he is to be taken lightly. The Erês are evolved spirits who say very serious things, although in a funny way. When the medium incorporates an Erê, he laughs very much, dances, frequently appears with stuffed animals, and speaks with a child's voice. They frequently drink Guaraná and eat candy.
Baianos (People from Bahia State)
The spirits of people who were practitioners of Umbanda, also considered as the spirits of deceased ancestors. Since they are closest to our time (in comparison to the deceased slaves and the Indigenous Americans), they have a different manner in speaking. They are slow talking with the accent of Bahia. They talk about the need to know how to interpret and overcome the difficulties of life. They frequently drink coconut water, eat farofa, and smoke cigarettes.
Boiadeiros
The spirits of deceased gauchos who lived a hard life in the sertão, the arid hinterlands of Brazil. They speak of love, but are frequently harsh in their speech. They work in the spiritual cleaning of the person who is being attended, the medium, and the terreiro (the place where the Umbanda encounters, "gira" is held).
Marujos or Marinheiros (Sailors)
Spirits of deceased sailors or fishermen that use the power of the ocean to protect people from evil. The water (especially salty water) has its manner of protecting people, cleaning and cleansing. The Marinheiros work in the energy of Yemanjá. They are happy, funny, and easy going. When a Marinheiro talks, he sometimes appears to be drunk, but that's just his way. They can't stand straight and— frequently stumble as if they were in a ship, at high seas. They drink a lot of rum.
Zé Pilintra
He is widely reputed, as the patron spirit of the barrooms, gambling dens, and gutters (while not aligned with "evil" entities, however). The Zé Pilintra spirit is famed by its extreme bohemianism and wild partying persona, being a kind of trickster spirit.
Exu
Exu is a phalanx of spirits that are adjusted to Karma. Offerings are made in the Small Kalunga (cemetery) or at crossroads. The offerings are done only when required by the spirits, never intending to harm anyone. They never use black magic. They protect people while they are on the streets, roads, nightclubs, etc., and also protect them from evil spirits (called obsessing spirits which are spirits that weren't touched by the light yet and use people to feed their bad habits such as addictions to drugs or low emotional states like anger, rage, sadness, guilt, revenge, etc.) and help people opening paths full of learning and success. The female Exus are the Pomba Giras. Their action field is love, but under no circumstances will they perform black magic. Pomba Giras, like all Exus, undo black magic that exists in Quiumbanda.
3. Bad Spirits/Kiumbas
Some Umbanda believers avoid the spirits of this level, considered dark incarnations. Sometimes impure spirits can possess some psychics and cause many annoyances in a cult. So, priests and priestesses should know how to treat and send them to the correspondent evolved spiritual level which is connected to the Umbanda house, where they'll be cleansed by higher spirits, taught to find the light and evolve. So, the spirits of the city help during the process as much as the guides of the Umbanda psychics also help. The guides are responsible, in this case, for taking the darker spirits to the spiritual city and rebalancing the psychic.
Reincarnation
Reincarnation in Umbanda is different from in Hinduism. The Law of the Reincarnation is the central point of the Karmic Law. It states that Olodumare creates spirits with Self Will all the time. The spirits universally pass through many stages of evolution, in many planets. It also states that there are parallel dimensions in this world where the obsessive spirits are, since they can't evolve. They have the choice of being good or bad, through ordinary acts and the love that they display towards other people. When they "die", the good ones advance to a superior stage of spiritual evolution, in other planets. Those that do not succeed should reincarnate until learning what they were supposed to.[1]
Umbanda temples, priests and priestesses
Umbanda temples are autonomous organizations that focus around a leader, mediums (psychics who are able to intermediate communications between the physical and the spiritual worlds), initiates (people with psychic abilities who are being taught in the ways of Umbanda) and lay members.
During its first years, the Umbanda rituals were performed in poor suburban houses because the followers had no resources, and also to avoid police persecution, since not being catholic was cause for arrest. Most often, the leader's own house was used as a place for religious meetings. The rituals were performed in the backyard. Sometimes, a tent was pitched to protect the meeting from rain. Today, the Umbanda religious buildings are still called Terreiro (backyard) or Tenda (tent). When the religion flourished, buildings were specially constructed for ritual use.
Tendas or Terreiros usually look like ordinary houses when seen from the street. Some religious artifacts like African styled ceramic vases can be put on the walls or ceilings to give a touch of religious appearance to the house. A wood board with the name of the temple usually is placed over the main entrance. Larger Umbanda houses often are laid out in a fashion similar to a humble Catholic church. Even when the Tenda or Terreiro is specially built to be used in Umbanda rituals, a separated part is used as the home of the leader and his or her family. The areas for residence and rituals are close enough to be considered a single unit.
If a building is not available, rituals are still performed in a private backyard as well.
Generally the Terreiro – the actual room used for rituals – is a large area covered by a simple roof of ceramic singles, with an altar at the back.
Also, the Tendas or Terreiros is used directly or in a support capacity for charitable works to provide child care, medical clinics, assistance to orphanages, and distribution of medicines and/or food.
The Terreiros have as their main leader a priest or priestess called "pai-de-santo" ("father-of-saint", if he is a male, referred to as "bàbálóòrìsà") or "mãe-de-santo" ("mother-of-saint", if she is female, referred to as "yálóòrìsà").[citation needed] The initiates, men or women, are usually called "filhos-de-santo" ("children-of-saint", masculine plural form), to show the structure within the religion. This does not imply sainthood on the part of the priest or priestess, but responsibility for certain rituals related to each saint they serve, (also called Orixás), as well as the saints of the filhos-de-santo under his or her responsibility.
Umbanda developed with almost no sexual discrimination. The leader could be male or female, pai-de-santo or mãe-de-santo, and his or her prestige depends only on their psychic powers and the wisdom shown within their pieces of advice. Its main difference when compared to the Catholic Church is that in Umbanda, homosexuals face no prejudice, for Umbanda does not judge believers by sex, race or sexual orientation.
Each Umbanda Terreiro practices the same religion with variations, according to the policies of the pai-de-santo's or the mãe-de-santo's spiritual mentor, as well as in accordance with the teachings and philosophies of the various traditions within Umbanda. During these ceremonies, the priests, priestesses, and initiates wear white costumes and pay homage to the spirits and Orixás.
Rituals & ceremonies
One hundred years after its establishment, Umbanda is divided into several branches with different rituals and ceremonies. As the Terreiros de Umbanda are loosely united by the Umbanda federations, there is not a strong adherence to a single code of rite, ceremonies and creeds.
The Umbanda Branca, the original form created by Zélio de Moraes and his group, adopts the worship of Orixás but rejects the black witchcraft, the colorful costumes, and the animal sacrifices practiced in the Macumba and Quimbanda rituals.[4] The babalorixás (Pais-de-Santo) and the yalorixás (Mães-de-Santo) always wear white outfits during the ceremonies of the Umbanda Branca. On the other hand, Umbanda d'Angola and Umbanda Jejê are newer sects with a body of rituals, ceremonies and philosophies that equate themselves with other religions such as Candomblé, Jurema, and Catimbó. Another recent branch, called Umbanda Esotérica, is heavily influenced by Eastern philosophies. The older Terreiros de Umbanda, those established before 1940, have not integrated these new trends and still practice the original rites and ceremonies in a simpler way, specially dedicating themselves to charity works, as preached by Zélio de Moraes and his group.
The gira or "work"
Umbanda ceremonies are generally open to the public and may take place several times a week.[2] Atabaque (conga drums) and chanting play a central role in some Umbanda congregations, but are almost non-existent in others. The ceremonies may include offers to the spirits comprising fruits, wine, farofa, cachaça, popcorn, cigarettes, hard cider and other types of food or beverages. Each Orixá or spirit receives a proper offering, and initiation rites that range from the simple to complex.
During the ceremonies the priests and priestesses (pai-de-santo, mãe-de-santo, filhos-de-santo, initiates) and the public attending the meeting sing together, dance, drink beverages and smoke cigars under the spirit's influence. However, the use of such elements by these spirits aren't due to any addictions - they are used as sacred elements that help the spirits to nullify any negative energies surrounding the assisted person. The priests and priestesses are separated from the attending public, usually by a small fence. The priests, priestesses and some of the public gradually get immersed in the singing and dancing, and suddenly get possessed by deities and spirits, starting to act and speak with their personas. Those in the public attending who become possessed are recognized as owners of special psychic power and, usually, after the ceremony, are invited to become initiates in the Terreiro. Sometimes, an experienced pai-de-santo or mãe-de-santo can dance and sing all night without, for mysterious reasons, being possessed by deities or spirits.
There is also a rite leader called Ogã. His job is to organize the "gira" in a logistic way. He does not incorporate and he is respected by the entities who possess the medium.
Intervention by spiritual beings in followers' daily lives is a central belief, so participation in Umbanda rites is important to appease deities and spirits.[2]
Music and dancing are always present in the Umbanda rituals. The public sing together the "pontos", religious songs intended to improve the psychics' concentration level. These songs often are taught by the spirits themselves, and their lyrics tell about charity, faith, and the Orixás' deeds. The pontos should be sung or said in Portuguese for religious use. A ponto example is translated below:
Ponto de Mamãe Oxúm (Umbanda Song of Mommy Oxúm)
Water streams like crystal
Through Father Olorúm's feet
Father Olorúm created Nature
And made the Waterfalls
Which Xangô blessed
I am going to ask the permission of Oxalá
To bath in the waterfall
To clean all evil
Historical background
Zélio de Moraes
Umbanda originated in South America and developed in the Portuguese Empire. In the late-19th century, many Brazilian scholars criticized the African-Brazilian religions, claiming they were primitive and hindered modernization.[2] At the same time, Allan Kardec's Spiritism, a development of spiritualism creeds, was increasingly accepted by the Brazilian urban middle/upper-class with followers since 1865. Since that Spiritism came from Paris, with the upper classes, there was no integration with the lower classes.[4] The kardecists – followers of the Spiritism – were mainly middle-class people of European descent, many of them pursuing military and professional careers. They were deeply influenced by Auguste Comte's philosophy, Positivism, that aimed to join religion and science and to help the development of society to a higher level.
Beginning
On November 15, 1908, a group of kardecists met at a séance in the neighborhood of Neves, São Gonçalo city, near the Federal Capital, Rio de Janeiro. Among them was Zélio Fernandino de Moraes, a 17-year-old boy who was studying to join the Naval Academy and later became an officer. During the séance, Zélio de Moraes incorporated a spirit who identified himself as the Caboclo das Sete Encruzilhadas (Half-Indian Peasant of the Seven Crossroads). After that, Zélio de Moraes incorporated another spirit who identified himself as Pai Antônio (Father Anthony), a wise old slave that had died after being savagely flogged by his master.
First years and the development
The first Terreiro de Umbanda was founded by Zélio de Moraes in an uncertain date of the 1920s and named Centro Espírita Nossa Senhora da Piedade (Spiritism Center of Our Lady of Mercy). In 1940 Zélio de Moraes made a statute for this first Terreiro that was used as reference by the most of Terreiros that followed.
The Umbanda religion started in a time when the Brazilian society was passing through a strong transformation process. The predominance of agriculture in Brazilian economy was decreasing and the first steps of a late industrial revolution was expanding the working class.
The American anthropologist Diana Brown, that pioneered the studies of Umbanda in the 1960s, verified that the Umbanda founders were most middle-class people
The first Umbanda followers felt that the Macumba rituals were more stimulating and dramatic than the Spiritism séances, but they rejected the animal sacrifices and the incorporation of malevolent spirits, often called Kiumbas (Obsessing Spirits).
According to the anthropologist Diana Brown, Zélio de Moraes had just a symbolic participation in the creation of the Umbanda, acting like the speaker of a group that previously participated in Macumba cults. A collective effort was made by Zélio de Moraes and his group to promote the Umbanda Branca, developing practices acceptable by the middle class.[8]
Expansion during Vargas dictatorship
The first stage of the Umbanda expansion coincides with the social and political changes that occurred in the 1930s and with the dictatorship of Getúlio Vargas (1930—1945).
Getúlio Vargas became known as "pai dos pobres" (Father of the Poor) and, also, as "pai da Umbanda" (Father of the Umbanda) among the emergent urban and working class. Until 1966 many Umbanda Terreiros had a Getúlio Vargas picture in a place of honor.
Despite the identification with the objectives of the Getúlio Vargas Dictatorship, the Umbanda followers were persecuted. The police repression interrupted religious meetings, beat the psychics and followers and confiscated their instruments of Umbanda. An entire collection of icons, costumes, garbs, amulets, instruments, and objects of traditional religions confiscated by policemen is still kept in the Museu da Polícia (Museum of Police) in Rio de Janeiro city.
A notable victim of the police repression was Euclydes Barbosa (1909—88). He was a great soccer back player known by the nickname Jaú, that played with the Corinthians team from 1932 to 1937 and with the Brazil's National Team in 1938 World Cup in France. Jaú was also a pai-de-santo or babalorixá, priest of Umbanda, the founder of the Umbanda religion in São Paulo city and one of the first organizers in the 1950s of the Yemanjá feast in the São Paulo State beaches. Jaú was illegally imprisoned, beaten, tortured, and publicly humiliated by the police because of his religious activities. Some Umbanda leaders call him the great martyr of their religion.
Prime years after the Vargas dictatorship
In the latter half of the 20th century Umbanda grew rapidly among transformation of Candomblé that was first noticed in Bahia.
The independent Terreiros of Umbanda started to unite themselves in federations to strengthen its position against social discrimination and police repression. The first federation was founded by Zélio Fernandino in 1939.
The end of the Getúlio Vargas Dictatorship and the reestablishment of democracy in 1945 advanced the religion freedom environment. In 1953, two Umbanda federations were founded in São Paulo. However, the Umbanda cults were still looked with suspicion by the Police Departments that demanded a compulsory registration of the Terreiros. Only in 1964, this obligation was released and just a civil registration in a public notary is required.
The populist character of the politics in Brazil between 1945 (the end of Getúlio Vargas Dictatorship) and 1964 (the start of the Military Dictatorship) supported the expansion of Umbanda. Then politicians became usual attendants of the Terreiros, specially before the elections.
Research conducted by the anthropologists Lísias Nogueira Negrão and Maria Helena Concone revealed that in the 1940s in São Paulo, just 58 religious organizations were registered as Umbanda Terreiros, but 803 organizations declared themselves as Spiritism Centers. In the 1950s, positions inverted: 1,025 organizations declared themselves as Umbanda Terreiros, 845 as Spiritism Centers and only one Candomblé Terreiro. The apex was during the 1970s, with 7,627 Umbanda Terreiros, 856 Candomblé Terreiros and 202 Spiritism Centers.
The period from the 1950s to the 1970s was the prime of the Umbanda religion. Police repression decreased, the number of followers soared, but the Catholic Church opposition increased. An intense religious campaign against the Umbanda cults was conducted in the pulpits and the press. Umbanda received criticism from the Catholic Church, which disagreed with the worship of spirits and the comparison that many Umbandistas made between Catholic Saints and Orixás.[3] Despite the criticism, even today, many Umbanda members also claim to be devout Catholics as well.[3] After the Vatican Council II (1962–65), the Catholic Church sought an ecumenical or tolerant relation with traditional religions.
Opposition
In 1974 Umbanda practitioners (Including declared and undeclared) were estimated to be about 30 million in a population of 120 million Brazilians.
After the 1970s the Umbanda cults begun to be opposed by Pentecostals. Evangelical Pentecostal Churches have begun attempting to evangelize and, in some cases, persecute practitioners of Umbanda and other traditional religions.
Umbanda practitioners have taken cases to national courts and achieved a high measure of success. In 2005 the Superior Órgão de Umbanda do Estado de São Paulo (Superior Organization of Umbanda in São Paulo State) won a judicial case in the Federal Court against the television broadcasting systems Rede Record and Rede Mulher, that belong to the Igreja Universal do Reino de Deus, a Neo Pentecostal Church. The Public Attorney (Ministério Público) denounced television programs that treated the traditional religions in a derogatory and discriminating way.[4]
Today
In the 2000 Brazilian census, 432,000 Brazilians declared themselves Umbandistas, a 20% drop in relation to the 1991 census. Many people attend the Terreiros of Umbanda seeking counseling or healing, but they do not consider themselves Umbandistas.[4]
Despite all the troubles in the past or present, the Umbanda remains strong and renovated in Brazilian main cities like Rio de Janeiro (the greatest concentration of Umbandists) and São Paulo (the second greatest concentration of Umbandistas).[4] After the 1970s, Porto Alegre, the capital of Rio Grande do Sul, the southernmost Brazilian state, became the base of expansion of the Umbanda to Argentina and Uruguay. Today, Umbanda followers can be found in the United States of America as well.
The syncretic religious practice known as Santo Daime, founded in the 1930s by Raimundo Irineu Serra, has been incorporating elements of Umbanda in its rituals, especially in the line called “Umbandaime.” The use of ayahuasca is an important aspect of their ceremonies.
Notable Umbandists
Clara Nunes — Brazilian samba singer.
Vinícius de Moraes — Brazilian Poet.
Herivelto Martins — MPB singer and songwriter.
Bibliography
DaMatta, Roberto. Religion and Modernity:Three studies of Brazilian religiosity. Journal of Social History. Winter91, Vol. 25 Issue 2, pp. 389–406, 18p.
Sybille Pröschild: Das Heilige in der Umbanda. Geschichte, Merkmale und Anziehungskraft einer afro-brasilianischen Religion. Kontexte. Neue Beiträge zur historischen und systematischen Theologie, Band 39. Edition Ruprecht, Göttingen 2009. ISBN 978-3-7675-7126-6
Maik Sadzio: Gespräche mit den Orixás: Ethnopsychoanalyse in einem Umbanda Terreiro in Porto Alegre/Brasilien, Transkulturelle Edition München 2012. ISBN 978-3-8423-5509-5
References
Dann, Graham M.S. Religion and Cultural Identity: The Case of Umbanda. Sociological Analysis, Vol. 30, No.3, pp. 208–225.
Brown, Diana De G.; Mario Bick. Religion, Class, and Context: Continuities and Discontinuities in Brazilian Umbanda. American Ethnologist, Vol. 14, No. 1, Frontiers of Christian Evangelism. (Feb., 1987), pp. 73–93
Hale, Lindsay Lauren. Preto Velho: Resistance, Redemption, and Engendered Representations of Slavery in a Brazilian Possession-Trance Religion. American Ethnologist, Vol. 24, No. 2 (May, 1997), pp. 392–414.
Beraba, Marcelo. O Terreiro da Contradição. Folha de S.Paulo; March 30, 2008
Umbanda Ritual
Oliveira, J. Alves; Umbanda Cristã e Brasileira; 1985; apud Beraba
Brown, Diana; "Uma História da Umbanda no Rio", 1985; apud Beraba
Novo Preto Velho. Interview of Diana Brown in Folha de S.Paulo; March 30, 2008.
^ Troch, Lieve. Ecclesiogenesis: the patchwork of new religious communities in Brazil. Exchange 33, No. 1, 2004, pp. 54–72.
Santerismo
Santerismo is a branch of Afro Cuban Santeria "Lukumi" which has a strong influence with Puerto Rican Brujeria and Mesa Blanca Espirotismo.
Olodumare / Olorun / Olofi The Omnipotent, All Powerful Creator God the Creator
Obatala -- Our Lady of Mercy September 24rth Color White
Odduduwa -- Saint Claire August 11 Colors White and Green
Eleggua Elegba - Saint Anthony or the Child of Atocha Color Red and Black
Aganyu -- Saint Christopher Feast Day July 25th Color Shades of Reds
Yemaya -- Our Lady of Regla Feast Day September 7th Colors Blue, Agua and White
Chango -- Saint Barbara December 4th. Colors Red and White
Oya -- Our Lady of La Candelaria Feast Day February 2nd Colors 9 Colors
Oshun -- Our Lady of Charity September 8th Colors Yellow, Amber, Gold
Ochosi -- Saint Sebastian Colors Violet, Blue, Yellow
Oggun -- Saint Peter Feast Day June 29th Colors Green and Black
Babalu-Aye -- Saint Lazarus Feast Day December 17th Colors Purple and Yellow
Orunla -- St. Francis of Assisi Feast Day October 4th Colors Green and Yellow
Inle - Saint Rafael Feast Day October 24th Blue and Yellow
Ibeyi - Saints Cosmo and Damian. Feast Day Red and White "Male" Blue and White "Female"
Osanyin - Saint Sylvester Feast Day December 31st Color Green
Obba - Virgen del Carmen. Colors Pink, Yellow Lilac
Santerismo is a branch of Afro Cuban Santeria "Lukumi" which has a strong influence with Puerto Rican Brujeria and Mesa Blanca Espirotismo.
Olodumare / Olorun / Olofi The Omnipotent, All Powerful Creator God the Creator
Obatala -- Our Lady of Mercy September 24rth Color White
Odduduwa -- Saint Claire August 11 Colors White and Green
Eleggua Elegba - Saint Anthony or the Child of Atocha Color Red and Black
Aganyu -- Saint Christopher Feast Day July 25th Color Shades of Reds
Yemaya -- Our Lady of Regla Feast Day September 7th Colors Blue, Agua and White
Chango -- Saint Barbara December 4th. Colors Red and White
Oya -- Our Lady of La Candelaria Feast Day February 2nd Colors 9 Colors
Oshun -- Our Lady of Charity September 8th Colors Yellow, Amber, Gold
Ochosi -- Saint Sebastian Colors Violet, Blue, Yellow
Oggun -- Saint Peter Feast Day June 29th Colors Green and Black
Babalu-Aye -- Saint Lazarus Feast Day December 17th Colors Purple and Yellow
Orunla -- St. Francis of Assisi Feast Day October 4th Colors Green and Yellow
Inle - Saint Rafael Feast Day October 24th Blue and Yellow
Ibeyi - Saints Cosmo and Damian. Feast Day Red and White "Male" Blue and White "Female"
Osanyin - Saint Sylvester Feast Day December 31st Color Green
Obba - Virgen del Carmen. Colors Pink, Yellow Lilac
The Dominican 21 Division
La 21 División or the 21 Dominican Divisions are the group of Loases Spirits originally venerated in the Dominican Republic and has become popular amongst Puerto Ricans. Puerto Rican Sanse is a branch of Dominican 21 Division Vudù which in tern is a branch of Haitian Voudun. The Loases Spirits of the 21 Division is a group of Spirits also called Los Misterios amongst Puerto Ricans. The Loases of the 21 Divisions like the Seven African Power Orichas and the 7 Jefes del Sanse Puertoriqueño protect their followers and gift them with the abilities to lift Causas, divination, and healing to name a few, and like the Seven African Powers and the 7 Jefes of Sanse, the Loases of the 21 Divisions have attributes associated to them such as colors, offerings, and likes and dislikes.
The Leguas
The Ogunes
The Guedes
The Rodas
The Lokos
The Lokomis
The Petos
The Simbis
The Petifones
The Marasa
The Zombis
The Indios
The Nagos
The Congos
The Guineas
The Niñillos
The Caes
The Dangueles
The Shuques
The Piues
The Difemayos
Although there are countless Loases within Dominican Vudu the most popular are.
Anaísa Pyé - Santa Ana
Bakúlu Baká - San Felipe
Barón Del Cementerio - San Elías
Belié Belcán - San Miguel
Cachita - Nuestra Señora de la Caridad
Candelina - Nuestra Señora de la Candelaria
Candelo Cedifé - San Carlos Borromeo
Centinela - San Sebastián
Clementina - La Virgen Milagrosa
Damballah - San Patricio
Ezili Alaíla - Nuestra Señora de la Alta Gracia
Ezili Danthó - Santa Bárbara Africana
Ezili Kénwa - Santa Martha
Filomena Lubana -Santa Martha La Dominadora
Gran Bwav - San Judas
Gran Solié - San Nicolás del Sol
Gran Toroliza - Cristo de las Buenas Esperanzas
Gunguna - Santa Elena
Jan Bakéo - San Pedro Jan Ferro - San Marcos de León
Jan Kriminelo - San Pancracio
La Señorita - Santa Clara
Marassa - San Cosme and San Damián
Metresilí - La Dolorosa
Ofelia Balendjo - La Virgen de las Mercedes
Ogún Balendjo - San Santiago
Ogún Batalá - San Martín de los Caballeros
Ogún Fegai - San Jorge
Papá Legbá - San Antonio
La 21 División or the 21 Dominican Divisions are the group of Loases Spirits originally venerated in the Dominican Republic and has become popular amongst Puerto Ricans. Puerto Rican Sanse is a branch of Dominican 21 Division Vudù which in tern is a branch of Haitian Voudun. The Loases Spirits of the 21 Division is a group of Spirits also called Los Misterios amongst Puerto Ricans. The Loases of the 21 Divisions like the Seven African Power Orichas and the 7 Jefes del Sanse Puertoriqueño protect their followers and gift them with the abilities to lift Causas, divination, and healing to name a few, and like the Seven African Powers and the 7 Jefes of Sanse, the Loases of the 21 Divisions have attributes associated to them such as colors, offerings, and likes and dislikes.
The Leguas
The Ogunes
The Guedes
The Rodas
The Lokos
The Lokomis
The Petos
The Simbis
The Petifones
The Marasa
The Zombis
The Indios
The Nagos
The Congos
The Guineas
The Niñillos
The Caes
The Dangueles
The Shuques
The Piues
The Difemayos
Although there are countless Loases within Dominican Vudu the most popular are.
Anaísa Pyé - Santa Ana
Bakúlu Baká - San Felipe
Barón Del Cementerio - San Elías
Belié Belcán - San Miguel
Cachita - Nuestra Señora de la Caridad
Candelina - Nuestra Señora de la Candelaria
Candelo Cedifé - San Carlos Borromeo
Centinela - San Sebastián
Clementina - La Virgen Milagrosa
Damballah - San Patricio
Ezili Alaíla - Nuestra Señora de la Alta Gracia
Ezili Danthó - Santa Bárbara Africana
Ezili Kénwa - Santa Martha
Filomena Lubana -Santa Martha La Dominadora
Gran Bwav - San Judas
Gran Solié - San Nicolás del Sol
Gran Toroliza - Cristo de las Buenas Esperanzas
Gunguna - Santa Elena
Jan Bakéo - San Pedro Jan Ferro - San Marcos de León
Jan Kriminelo - San Pancracio
La Señorita - Santa Clara
Marassa - San Cosme and San Damián
Metresilí - La Dolorosa
Ofelia Balendjo - La Virgen de las Mercedes
Ogún Balendjo - San Santiago
Ogún Batalá - San Martín de los Caballeros
Ogún Fegai - San Jorge
Papá Legbá - San Antonio
The Puerto Rican Sanse Familias are
The Legbas
The Ogunes
The Guedes
The Candelos
The Belcanes
The Metresas
The Indios
The Solieres
The Prietos
The Simbises
The Centinelas
The Guineas
The Madamas
The Niños
The Orientales
The Potencias
The Magos
The Aguases
The Jemelos
The Cemises
The Arabeses
The Legbas
The Ogunes
The Guedes
The Candelos
The Belcanes
The Metresas
The Indios
The Solieres
The Prietos
The Simbises
The Centinelas
The Guineas
The Madamas
The Niños
The Orientales
The Potencias
The Magos
The Aguases
The Jemelos
The Cemises
The Arabeses
