Hinário

Ocasiões Especiais

Special Occasions

Author
SANTO DAIME (All Saints' Day Work)
Lineage
◈ SELEÇÃO ☨ DAIME ☨
Hymns
73
Lines
2,392
Languages
Português · English · Español
Parts
⍟ ALL SOULS DAY - TODOS OS SANTOS. FINADOS. · ⍟ BAPTISM - BATISMO · ⍟ BIRTH - NASCIMENTO · ⍟ JESUS' BIRTHDAY (CHRISTMAS) - NASCIMENTO DE JESUS · ⍟ BIRTHDAY - ANIVERSÁRIO · ⍟ CÉU DO MAPIÁ (BRAZIL) · ⍟ EASTER (PASSION/GOOD FRIDAY) - SEXTA-FEIRA SANTA · ⍟ FESTIVAL · ⍟ FATHER’S DAY - DIA DOS PAIS · ⍟ GRADUATION - FARDAMENTO · ⍟ HOLY KINGS - DIA DE REIS · ⍟ INTERNATIONAL WOMEN'S DAY - DIA INTERNACIONAL DAS MULHERES · ⍟ KIDS - CRIANÇAS · ⍟ MARY MAGDALENE - MARIA MADALENA · ⍟ MESTRE'S BIRTHDAY - NASCIMENTO DE MESTRE · ⍟ MESTRE'S PASSAGE - PASSAGEM DE MESTRE · ⍟ MOTHER’S DAY - DIA DAS MÃES · ⍟ NEW YEAR - ANO NOVO · ⍟ SAINT ANTHONY- SANTO ANTÔNIO · ⍟ SAINT CLARE OF ASSISI - SANTA CLARA DE ASÍS · ⍟ SAINT FRANCIS - SÃO FRANCISCO · ⍟ SAINT JOHN - SÃO JOÃO · ⍟ SAINT PETER - SÃO PEDRO · ⍟ SMUDGE - DEFUMAÇÃO · ⍟ THE BLACK MADONNA - NOSSA SENHORA APARECIDA · ⍟ VIRGIN OF CONCEPTION - NOSSA SENHORA DA CONCEIÇÃO · ⍟ WEDDING - CASAMENTO

One entry here is a reading rather than a hymn — a prayer written out in full, a preface, or an account of the person whose hinário this is. They are marked ¶ in the contents.

13 of these 73 entries carry only one language in the source document.

⍟ MARY MAGDALENE - MARIA MADALENA

Mary Magdalene is one of the most prominent and widely recognized women in the New Testament. According to the four canonical Gospels, she was a devoted follower of Jesus of Nazareth, supported his ministry, witnessed his crucifixion and burial, and played a central role in the accounts of his resurrection. Although relatively little is known with certainty about her personal life, her position at several decisive moments in the Gospel narratives made her one of the most significant figures in early Christianity. Over the centuries, however, her identity was reshaped by religious interpretation, legend, art, and popular culture, sometimes in ways that have little basis in the biblical texts.

The name “Magdalene” most likely indicates that Mary came from Magdala, a fishing town on the western shore of the Sea of Galilee. Because Mary was an extremely common Jewish name in the first century, the geographical title distinguished her from the other women named Mary who appear in the Gospels. The Gospel of Luke introduces her as “Mary, called Magdalene,” from whom Jesus had cast out seven demons. In the cultural and religious world of the first century, demonic possession was often associated with severe physical, emotional, or psychological suffering. The number seven may have been intended symbolically to express the completeness or seriousness of her affliction rather than to provide a medical description. Whatever the exact meaning, the passage presents Mary as someone who experienced a profound healing and afterward became deeply devoted to Jesus.

Luke also identifies Mary Magdalene as one of several women who traveled with Jesus and the Twelve Apostles. These women supported the ministry “out of their resources,” suggesting that Mary and at least some of her companions possessed a degree of financial independence. Their contributions probably helped provide food, lodging, and other necessities for Jesus and his followers as they traveled through towns and villages. Mary’s role was therefore not limited to private devotion. She participated actively in the movement surrounding Jesus and contributed materially to its continuation. Furthermore, when groups of female disciples are listed in the Synoptic Gospels, Mary Magdalene is usually named first, indicating that she was regarded as a particularly important member of that group.

Mary’s importance becomes especially clear during the final days of Jesus’s life. The Gospels report that many of the male disciples fled or disappeared after Jesus was arrested, but Mary Magdalene remained present during the crucifixion. Mark, Matthew, and John explicitly name her among the women who watched Jesus die, while Luke refers more generally to the women who had followed him from Galilee. Mary is also connected with the burial tradition. In Mark and Matthew, she observes where Jesus’s body is placed, allowing her to return to the correct location after the Sabbath. Her presence creates a continuous narrative link between Jesus’s ministry, death, burial, and the discovery of the empty tomb.

All four canonical Gospels place Mary Magdalene at the tomb on the first day of the week, although their details differ. In Mark, she goes to the tomb with Mary the mother of James and Salome, where they encounter a young man who announces that Jesus has risen. Matthew describes Mary Magdalene and “the other Mary” meeting an angel and then encountering the risen Jesus. Luke names Mary Magdalene among the women who report the empty tomb and the angelic announcement to the apostles, who initially dismiss their testimony. In John’s Gospel, Mary arrives at the tomb, discovers it empty, and later encounters the risen Jesus personally. At first she mistakes him for the gardener, but she recognizes him when he speaks her name. Jesus then sends her to tell the disciples that he is ascending to the Father.

Because Mary was commissioned to announce the resurrection to Jesus’s other followers, Christian tradition has often honored her as the “Apostle to the Apostles.” The title does not necessarily mean that she held the same formal position as one of the Twelve. Rather, it recognizes that she was entrusted with the foundational Christian proclamation that Jesus had risen from the dead. Her witness is especially remarkable in the context of the ancient world, where women’s public testimony was often given less authority than that of men. Nevertheless, the Gospel writers preserved traditions in which women—and Mary Magdalene in particular—were the first witnesses to the empty tomb and, in some accounts, to the risen Christ.

Later early Christian writings expanded Mary’s importance. Texts such as the *Gospel of Mary*, the *Gospel of Philip*, and the *Pistis Sophia* portray her as a spiritually insightful disciple who understands teachings that others do not. Some describe disagreements between Mary and Peter, possibly reflecting wider debates in early Christian communities about leadership, spiritual authority, and the role of women. These works were written later than the canonical Gospels and cannot be treated as straightforward historical biographies. Nevertheless, they show that some early Christian groups remembered Mary as a teacher, visionary, and authoritative interpreter of Jesus’s message.

One of the most persistent misconceptions about Mary Magdalene is that she was a prostitute. The canonical Gospels never describe her as one. This identification developed gradually in Western Christianity, especially after Pope Gregory I delivered a sermon in 591 that associated Mary Magdalene with the unnamed sinful woman who anoints Jesus’s feet in Luke 7 and with Mary of Bethany. These women are presented as separate individuals in the Gospel narratives, but the Western tradition combined them into a single figure: the repentant sexual sinner who abandoned an immoral life to follow Christ. The image became extremely influential in medieval preaching, art, literature, and popular devotion.

Eastern Christianity did not generally adopt this conflation. The Eastern Orthodox Church has traditionally distinguished Mary Magdalene from the unnamed sinful woman and from Mary of Bethany. It honors her as a virtuous disciple, a myrrh-bearing woman, and “Equal to the Apostles.” In modern times, Western churches have also placed renewed emphasis on her biblical identity as a disciple and resurrection witness rather than as a former prostitute. In 2016, the Catholic Church elevated her liturgical celebration to the rank of a feast, emphasizing her mission as the first messenger of the resurrection.

Mary Magdalene has remained a powerful figure in religious art and culture. Western artists frequently portrayed her with long hair, luxurious clothing, an alabaster jar of ointment, or the clothing of a penitent. Other images show her grieving at the cross, kneeling before the resurrected Christ, or living as a contemplative hermit. Modern novels, films, and speculative theories have sometimes suggested that she was Jesus’s wife or romantic partner, but there is no reliable historical evidence supporting those claims. Such theories reveal more about modern fascination with hidden histories than about the earliest available sources.

Mary Magdalene’s lasting importance rests on what the oldest Christian traditions consistently affirm: she followed Jesus, participated in and supported his ministry, remained present at his death, and became a primary witness to the events proclaimed as his resurrection. Her story also illustrates how the memory of a historical person can be transformed by theology, cultural attitudes, artistic symbolism, and legend. When separated from later misconceptions, Mary emerges not primarily as a fallen woman but as a courageous disciple, a loyal witness, and one of the foundational messengers of the Christian faith.

Printed in the document itself, ahead of the hymns. The verse here carries no hymn heading in the source, so it is shown as it stands rather than numbered among the hymns.

⍟ ALL SOULS DAY - TODOS OS SANTOS. FINADOS.

  1. —DOIS DE NOVEMBROMestre Raimundo Irineu Serra#7PT · EN
  2. —DOU VIVA A TODOS OS SANTOSAlfredo Gregório de Melo#90PT · PT 2 · EN
  3. —CALLING THE SOULS ONE BY ONEValsa · 3/4Steve Wiener#35EN
  4. —SOU FILHO DESTE PODERMestre Raimundo Irineu Serra#105PT · EN

⍟ BAPTISM - BATISMO

  1. —PEÇO QUE VÓS ME OUÇAValsa · 3/4Sebastião Mota de Melo#145PT · EN
  2. —SÃO JOÃO BATISTALuiz Mendes do Nascimento#2PT · EN
  3. —SÃO JOÃOStandingBellMestre Raimundo Irineu Serra#66PT · PT 2 · EN

⍟ BIRTH - NASCIMENTO

  1. —SOL, LUA ESTRELAMestre Raimundo Irineu Serra#29PT · EN

⍟ JESUS' BIRTHDAY (CHRISTMAS) - NASCIMENTO DE JESUS

  1. —A RAINHA DA FLORESTAAntônio Gomes#7PT · PT 2 · EN
  2. —VIVA OUR SAVIORSteve Wiener #2IEN
  3. —PRESENTE DE NATALAlfredo Gregório de Melo#49PT · PT 2 · EN

⍟ BIRTHDAY - ANIVERSÁRIO

  1. —A MENSAGEM DE ANIVERSÁRIOOdemir Raulino#44PT · EN
  2. —PARABENSWilson Carneiro da Silva#10PT · EN
  3. —PARABÉNSAlfredo Gregório de MeloPT · EN
  4. —LITTLE MORNINGChildren's SongEN · ES
  5. —PARABÉNSTeixeirinhaPT · PT 2

⍟ CÉU DO MAPIÁ (BRAZIL)

  1. —A VOZ DA FLORESTAAlex PolariPT · EN

⍟ EASTER (PASSION/GOOD FRIDAY) - SEXTA-FEIRA SANTA

  1. —BENDITO DA SEXTA-FEIRA SANTAPadre CíceroPT · EN
  2. —SEXTA-FEIRA SANTAMestre Raimundo Irineu Serra#104PT · PT 2 · EN

⍟ FESTIVAL

  1. —EU CHAMO A FORÇA DO CIPÓValsa · 3/4Chico CorrentePT · PT 2

⍟ GRADUATION - FARDAMENTO

  1. —GRADUAÇÃOAlfredo Gregório de Melo#65PT · EN
  2. —BENDITA ÉSebastião Mota de Melo#138PT · EN
  3. —ESTRELA D'ALVAValsa · 3/4Luiz Mendes do NascimentoPT · EN
  4. —O GRANDE DIATufi Rachid AminPT
  5. —SALOMÃOMestre Raimundo Irineu SerraPT · EN

⍟ HOLY KINGS - DIA DE REIS

  1. —OFERECIMENTOMarcha lenta · 4/4Sung 3×🎸onlyPT · EN
  2. —UM PEDIDOOdemir RaulinoPT
  3. —MANDOU NOS CONVIDARAntônio GomesPT · EN
  4. —CENTENARIOLuiz Mendes do NascimentoPT · PT 2

⍟ INTERNATIONAL WOMEN'S DAY - DIA INTERNACIONAL DAS MULHERES

  1. —MULHERES DE FORÇAMarcha e valsa · 4/4 + 3/4Esmeralda MachadoPT

⍟ KIDS - CRIANÇAS

  1. —OS PEQUENINOSPaulo RobertoPT · EN
  2. —SANA QUE SANA COLITA DE RANAES

⍟ MARY MAGDALENE - MARIA MADALENA

  1. —AS FORÇAS REDENTORASSônia Maria Palhares de AlvergaPT · EN

⍟ MESTRE'S BIRTHDAY - NASCIMENTO DE MESTRE

  1. —CANÇÃO DO MESTREJosé Alves da SllvaPT · PT 2
  2. —PARABÉNSOdemir Raulino da Silva#23PT · PT 2
  3. —CHEGOU O MESTREPT · PT 2

⍟ MESTRE'S PASSAGE - PASSAGEM DE MESTRE

  1. —FLOR AMERICANASônia Maria Palhares de AlvergaPT · EN
  2. —SEIS DE JULHOSônia Maria Palhares de AlvergaPT · EN

⍟ MOTHER’S DAY - DIA DAS MÃES

  1. —MÃE DAS MÃESAlfredo Gregório de MeloPT · EN
  2. —DIA DAS MÃESOdemir RaulinoPT
  3. —MAMÃE, OH! MAMÃEValsa · 3/4Alfredo Gregório de MeloPT · PT 2
  4. —LET US CELEBRATE OUR MOTHERSung 2×Thomas K. TierneyEN

⍟ NEW YEAR - ANO NOVO

  1. —ANO NOVOValsa · 3/4Júlia Gregório da Silva#35PT · PT 2 · EN

⍟ SAINT ANTHONY- SANTO ANTÔNIO

  1. —SANTO ANTONIO DO MUNDO NOVOBaixinhaPT · EN

⍟ SAINT CLARE OF ASSISI - SANTA CLARA DE ASÍS

  1. —SANTA CLARAPT · EN

⍟ SAINT FRANCIS - SÃO FRANCISCO

  1. —ORAÇÃO DE SÃO FRANCISCO DE ASSISSung 2×PT

⍟ SAINT JOHN - SÃO JOÃO

  1. ST. GEORGE: A HISTORICAL AND SPIRITUAL PERSPECTIVEAlex PolariEN
  2. —EXCELÊNCIASung 2×Alfredo Gregório de Melo#10PT · EN
  3. —REDENÇÃOValsa · 3/4Sung 2×Alfredo Gregório de Melo#160PT · EN
  4. —CONVITESebastião Mota de MeloPT · EN
  5. —MEU SÃO JOÃOValsa · 3/4Regina PereiraPT · EN
  6. —BALANÇO DE SÃO JOÃOOdemir Raulino da Silva#53PT
  7. —SÃO JOÃOClapSung 2×Mestre Raimundo Irineu SerraPT · EN
  8. —DIA DE SÃO JOSÉAlex PolariPT · EN
  9. —PONTO DE SÃO JORGEAlex PolariPT · EN
  10. —SÃO JORGESung 2×Dagoberto Pedroso#50PT · PT 2

⍟ SAINT PETER - SÃO PEDRO

  1. —NA HARMONIA DA FLORESTALuiz Mendes do Nascimento#18PT · PT 2
  2. —PASSARADASung 2×Glauco Villas Boas#8PT
  3. —SOL, LUA, ESTRELAValsa · 3/4StandingSung 3×PT · EN

⍟ SMUDGE - DEFUMAÇÃO

  1. —DEFUMA, DEFUMADORClapFumigationPT · EN
  2. —DEFUMA ESTA CASAClapFumigationPT · EN
  3. —DEFUMA COM AS ERVAS DA JUREMAClapFumigationPT · EN
  4. —MEU PAI OXÓSSIClapFumigationPT · PT 2
  5. —SENHOR ME DÊClapFumigationPT · PT 2
  6. —DEFUMADORFumigationGe MarquesPT

⍟ THE BLACK MADONNA - NOSSA SENHORA APARECIDA

  1. —APARECIDAGlauco Villas BoasPT · EN

⍟ VIRGIN OF CONCEPTION - NOSSA SENHORA DA CONCEIÇÃO

  1. —OH! VIRGEM DA CONCEIÇÃOValsa · 3/4Alfredo Gregório de MeloPT · EN

⍟ WEDDING - CASAMENTO

  1. —SÍMBOLO DA VERDADEValsa · 3/4Sebastião Mota de Melo#142PT · EN
  2. —SOU LUZSebastião Mota de Melo#100PT · EN
  3. —O AMORSebastião Mota de Melo#147PT · EN
  4. —CHAMO ESTRELAMestre Raimundo Irineu Serra#88PT · PT 2 · EN
  5. —TERRA MEU CORPOClassic Goddess ChantPT · EN
  6. —MÃE TE SINTOWindsong Dianne MartinPT · EN