Doctrine

A doctrine, not a creed

Santo Daime has no catechism and mandates no beliefs. What it has is a body of hymns held to be revealed, a short list of principles taken from an esoteric society in São Paulo, and a shared understanding of what the sacrament is for. The result is a tradition that is quite specific about practice and deliberately open about interpretation.

The principles

Four of them — harmony, love, truth and justice — he took from the Círculo Esotérico da Comunhão do Pensamento, the São Paulo esoteric order his centre was affiliated to from 1963. The same relationship gave him the fifteenth and the thirtieth as the dates for concentrations, and two prayers still said at Alto Santo. Seven principles are named in all.

  • AmorLove
  • VerdadeTruth
  • JustiçaJustice
  • FraternidadeFraternity
  • CaridadeCharity
  • MoralMoral conduct
  • Respeito a todos os SeresRespect for all beings

The moral teaching condenses into one line the tradition repeats: Somos feitos do Amor de Deus. Devemos fazer o bem em nome da Doutrina. — We are made of God's love; we must do good in the name of the doctrine.

The hymns are the scripture

This is the point on which Santo Daime differs most sharply from the religions around it. The hymns are not devotional writing about the doctrine — they are the doctrine. Each one is held to be received from a spiritual source rather than composed, and the hinários of individual members function as the tradition's primary texts. At most works a congregation sings one person's hinário through from beginning to end, in order.

The most important is O Cruzeiro, Mestre Irineu's own, sung on the greatest dates of the year. The archive here holds 7,773 hymns across 178 documents, and reading them is the most direct access anyone outside the tradition has to what it actually teaches — the lyrics instruct on conduct, on the nature of the divine and on spiritual development, and they do it in plain, often very simple Portuguese.

Who the hymns address

The cosmology is compact. Mestre Irineu arrived at it by setting things aside — the hierarchies of the esoteric circles, the dogmatic apparatus of Catholicism, and the possession practice of the Afro-Brazilian religion he grew up among.

  • O Divino Pai Eterno The Divine Eternal FatherFirst in the vivas and first in the cosmology Mestre Irineu arrived at when he set aside the esoteric ranks and the possession practices he had known.
  • A Rainha da Floresta The Queen of the ForestThe woman in the moon who gave him the doctrine, identified with Our Lady of the Conception. The primary divine feminine figure, and the one the whole tradition turns on.
  • Jesus Cristo Redentor Jesus Christ the RedeemerNamed in the hymns as O Mestre, O Rei, O Salvador and O Senhor. Mestre Irineu described the Daime itself as the blood of Christ.
  • Juramidam The spirit of the DaimeThe name Mestre Irineu carried in the astral, and the name the hymns give to the teacher understood to be behind every hinário received since — through him first, then through his companions, then through everyone who has received one.

The Daime as teacher

Within the tradition the sacrament is understood as an intelligence, not a chemistry — and, crucially, as one that gives each person what that person needs at that moment. The doctrinal consequence is specific: a difficult experience is not a failure of the work or of the person, but instruction. The tradition's own summary of this is blunt. The Daime knows what the Daime is doing.

The visionary state has its own word, miração, from mirar, to behold — and read within the tradition as mira + ação, looking joined to acting. That reading is not decorative. It carries the tradition's insistence that what is seen must be discerned: the sources are explicit that the individual has to distinguish genuine vision from imagination, mental games and projection.

The soul, and the spirits

From Spiritism and the esoteric societies the doctrine takes reincarnation: souls are born into a succession of lifetimes, evolve through experience, charity and practice, and are eventually freed from the cycle. The spiritual world is populated at many levels — ascended masters and guides who have finished their incarnations and now help those who have not, and beings still working through their own karma in the astral.

Mediumship is where Mestre Irineu drew his sharpest line, and it is worth being exact about it, because he is often described as having taken it up. He did not. What his doctrine makes room for is what the tradition calls irradiação — a trance in which, as Moreira and MacRae put it, the subject does not completely lose their sense of self or the memory of what happened. Being displaced by a spirit is the other thing, an encosto, and he treated it as an affliction to be driven off rather than a gift to be cultivated. The prayer used for that came from the Esoteric Circle, which did not practise incorporation either.

He did not deny that spirits act. His own deputies described cases in plainly mediumistic language, and the Table Work existed to handle them. What he refused was development: no indoctrinating spirits as in Kardecism, no training of mediums as in Umbanda, Candomblé or Tambor de Mina. Asked about incorporation he is reported to have said that of a thousand cases perhaps three are real, and nobody knows which. When his close friend Daniel Pereira de Matos opened his own work to the incorporation of healing spirits, Mestre Irineu kept the friendship and told him to found his own path — which became the Barquinha.

This was a narrowing away from his own beginnings. The sessions of the Círculo de Regeneração e Fé, where he first drank, were psychographic: Antônio Costa received communications and the secretary wrote them down. Later lines differ again. In the ICEFLU line, mediumship works are a central part of ritual practice, with mediums in white and under supervision, while the Alto Santo groups stay closer to a plain Christian form — though on this last point the scholarly sources are silent and the comparison comes from the tradition's own accounts.

The two circles, which are not the same circle

Accounts of Mestre Irineu often have him rejecting the teachings of the Círculo de Regeneração e Fé and taking his principles from the Círculo Esotérico da Comunhão do Pensamento, as though he turned from one body to another. He did not, and the two are separate organisations about forty-five years apart.

The Círculo de Regeneração e Fé was the frontier ayahuasca centre at Brasileia where he first drank, founded with the Costa brothers around 1916 — Antônio Costa its president, Irineu holding the rank of general. He left it in his late twenties because of police and Church persecution, and because his partner would not accept his use of the drink. He did not repudiate what he learned there: the Queen of the Forest was already among the entities named in its sessions, and the kings Titango, Tituma and Agarrube reappear in hymn 64 of his own hinário.

The Círculo Esotérico da Comunhão do Pensamento was an esoteric order founded in São Paulo on June 27, 1909. His centre affiliated to it in 1963, and the order cut him off before the decade was out, once its headquarters understood that daime was being drunk in one of its branches. He is said to have answered: if they don't want my daime, they don't want me either. So he borrowed from the Circle and was expelled by it, rather than adopting it.

The only demonstrated link between the two is a magazine. Moreira and MacRae searched the Circle's central archive and found no trace of the Brasileia centre; their conclusion is that the Circle's Revista do Pensamento reached the Acre frontier by post and gave Antônio Costa both the word Círculo and a three-word version of the order's motto — harmony, love and truth, with justice missing.

Two things remain open even in these books. Whether Mestre Irineu was ever personally registered with the Circle is unresolved: no entry was found among more than a hundred thousand searched, yet other sources state he joined in 1955, and a letter from the early 1960s describes him as already a member. And the founding date of the Brasileia centre is given variously as 1916 and 1917, so this page gives it as around 1916 rather than choosing.

The history on this page follows Paulo Moreira and Edward MacRae, I Come From Afar, and The Life of Mestre Raimundo Irineu Serra. For the terms used here, see the glossary; for the hymns themselves, the archive.

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